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	<title>Mademoiselle Q</title>
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	<description>La vie est ailleurs</description>
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		<title>前路漫漫观后感:无论结果，青春都是最耀眼最美好</title>
		<link>http://daskanguruh.wordpress.com/2011/04/01/%e5%89%8d%e8%b7%af%e6%bc%ab%e6%bc%ab%e8%a7%82%e5%90%8e%e6%84%9f%e6%97%a0%e8%ae%ba%e7%bb%93%e6%9e%9c%ef%bc%8c%e9%9d%92%e6%98%a5%e9%83%bd%e6%98%af%e6%9c%80%e8%80%80%e7%9c%bc%e6%9c%80%e7%be%8e%e5%a5%bd/</link>
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		<pubDate>Fri, 01 Apr 2011 18:26:55 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[不知不觉到了大家都开始感怀青春的时节，才发现我们真的老了，念叨起中学教室操场，课前课后，排练表演过的剧，表白过暗恋过的甲乙丙丁，抑或被表白过被暗恋过的ABCD，在感怀回忆里寻找幸福漫溢的感觉。（比如：爸爸在Facebook上那几个剧的video帖不断在大家的挖坟运动中，被掀起一轮又一轮的新高潮） 在这个当口看了Halfway（前路漫漫 /ハルフウェイ），第一个感觉就是，北川悦吏子和岩井俊二太能捕捉大龄青年怀春（是怀念青春拉）的心情了。如果几年前看一定觉得只是故事朴实情节平淡的小清新。青春消逝，因为失去无法挽回，才能体会到片子里青春的耀眼光彩。 片子里的小樽，不再是那个暗恋未表白藤井树的小樽。（据说剧本没有台词。还据说拍摄只用两周。） 女主角花痴单恋不敢表白，恋爱后撒娇任性，时而欢乐天高，时而悲苦欲绝的感觉，表演得真挚。有些行为，长大以后看起来幼稚微不足道甚至觉得有点惹人烦：这样不体谅对方真不像话。但是如果年轻的时候没有这样恋爱大过天，长大以后为什么会开始怀念青春呢。 男主角看到女主角不敢表白（虽然练习过很久），主动解围抢先说：请和我交往吧。女主角明明幸福得心都要融化了，（这么温柔体贴的帅哥啊！）还嘴硬装腼腆：让我再考虑一下。男生错愕：嗳？（声音都超可爱的） 喜欢的人买饮料请她喝，还要问，为什么对我这样好。 女主角觉得分离在即，在相片里留回忆，男主角不肯入镜：我可没有成为你的回忆 男主角偷偷躲在女主角家不远，装作偶遇，被发现以后，装无辜：我不知道，不知道。 男主角因为志愿去东京早稻田，还是留在北海道不用分开而烦恼，一度更改了志愿却还不是很清楚，我到底喜不喜欢你。（温柔的男生也优柔寡断） 一点别扭就以为算分手，说好要好好学习不联系，忍不住还是打电话说些有的没的。 和老师商量心事（里面的老师各个帅到不行），却一直坚持，不是我，是我的朋友交了个男朋友。 实在是太纯情太可爱了。（阿姨我被彻底萌翻。） 结尾不知道两个人以后。但是无论结果，都是幸福的。 女主角说，修喜欢我。男主角接着说，小广喜欢我。最重要的，不是我喜欢修，或者我喜欢小广，而是自己喜欢的人也喜欢（过）自己。恰好时机这样巧，双方相知相爱。这样的青春，多么耀眼多么美好。 无论漫漫前路还有什么。<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=206&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://daskanguruh.files.wordpress.com/2011/04/images-1.jpg"><img class="aligncenter size-full wp-image-207" title="images (1)" src="http://daskanguruh.files.wordpress.com/2011/04/images-1.jpg?w=183&#038;h=275" alt="" width="183" height="275" /></a></p>
<p>不知不觉到了大家都开始感怀青春的时节，才发现我们真的老了，念叨起中学教室操场，课前课后，排练表演过的剧，表白过暗恋过的甲乙丙丁，抑或被表白过被暗恋过的ABCD，在感怀回忆里寻找幸福漫溢的感觉。（比如：爸爸在Facebook上那几个剧的video帖不断在大家的挖坟运动中，被掀起一轮又一轮的新高潮）</p>
<p>在这个当口看了Halfway（前路漫漫 /ハルフウェイ），第一个感觉就是，北川悦吏子和岩井俊二太能捕捉大龄青年怀春（是怀念青春拉）的心情了。如果几年前看一定觉得只是故事朴实情节平淡的小清新。青春消逝，因为失去无法挽回，才能体会到片子里青春的耀眼光彩。</p>
<p>片子里的小樽，不再是那个暗恋未表白藤井树的小樽。（据说剧本没有台词。还据说拍摄只用两周。）</p>
<p>女主角花痴单恋不敢表白，恋爱后撒娇任性，时而欢乐天高，时而悲苦欲绝的感觉，表演得真挚。有些行为，长大以后看起来幼稚微不足道甚至觉得有点惹人烦：这样不体谅对方真不像话。但是如果年轻的时候没有这样恋爱大过天，长大以后为什么会开始怀念青春呢。</p>
<p>男主角看到女主角不敢表白（虽然练习过很久），主动解围抢先说：请和我交往吧。女主角明明幸福得心都要融化了，（这么温柔体贴的帅哥啊！）还嘴硬装腼腆：让我再考虑一下。男生错愕：嗳？（声音都超可爱的）</p>
<p>喜欢的人买饮料请她喝，还要问，为什么对我这样好。</p>
<p>女主角觉得分离在即，在相片里留回忆，男主角不肯入镜：我可没有成为你的回忆</p>
<p>男主角偷偷躲在女主角家不远，装作偶遇，被发现以后，装无辜：我不知道，不知道。</p>
<p>男主角因为志愿去东京早稻田，还是留在北海道不用分开而烦恼，一度更改了志愿却还不是很清楚，我到底喜不喜欢你。（温柔的男生也优柔寡断）</p>
<p>一点别扭就以为算分手，说好要好好学习不联系，忍不住还是打电话说些有的没的。</p>
<p>和老师商量心事（里面的老师各个帅到不行），却一直坚持，不是我，是我的朋友交了个男朋友。</p>
<p>实在是太纯情太可爱了。（阿姨我被彻底萌翻。）</p>
<p>结尾不知道两个人以后。但是无论结果，都是幸福的。</p>
<p>女主角说，修喜欢我。男主角接着说，小广喜欢我。最重要的，不是我喜欢修，或者我喜欢小广，而是自己喜欢的人也喜欢（过）自己。恰好时机这样巧，双方相知相爱。这样的青春，多么耀眼多么美好。</p>
<p>无论漫漫前路还有什么。</p>
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		<item>
		<title>等待催人老</title>
		<link>http://daskanguruh.wordpress.com/2011/03/10/%e7%ad%89%e5%be%85%e5%82%ac%e4%ba%ba%e8%80%81/</link>
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		<pubDate>Fri, 11 Mar 2011 04:03:12 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[最近各种等，等等，等等等等 间歇性的，耐心磨着磨着就没了，满腹岁月蹉跎之感，觉得，等着等着就老了 偏偏很多事情，除了等待，黔驴技穷别无他法，着急也只是自寻烦恼 知道在等什么的还好 还常常有在等却等的究竟是什么呢 也是在等戈多么，戈多是谁呢 哎呀呀呀。。。 &#160;<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=201&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>最近各种等，等等，等等等等</p>
<p>间歇性的，耐心磨着磨着就没了，满腹岁月蹉跎之感，觉得，等着等着就老了</p>
<p>偏偏很多事情，除了等待，黔驴技穷别无他法，着急也只是自寻烦恼</p>
<p>知道在等什么的还好</p>
<p>还常常有在等却等的究竟是什么呢</p>
<p>也是在等戈多么，戈多是谁呢</p>
<p>哎呀呀呀。。。</p>
<p>&nbsp;</p>
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		<title>Text of Steve Jobs&#8217; Commencement address (2005)</title>
		<link>http://daskanguruh.wordpress.com/2011/03/02/text-of-steve-jobs-commencement-address-2005/</link>
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		<pubDate>Thu, 03 Mar 2011 03:10:55 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[&#8216;You&#8217;ve got to find what you love,&#8217; Jobs says This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005. I am honored to be with you today at your commencement from one of the finest universities in the world. I [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=199&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div id="headline">
<h1>&#8216;You&#8217;ve got to find what you love,&#8217; Jobs says</h1>
</div>
<div id="maincontent">
<p><em>This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005.</em></p>
<p>I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I&#8217;ve ever gotten to a college graduation. Today I want to tell you three stories from my life. That&#8217;s it. No big deal. Just three stories.</p>
<p>The first story is about connecting the dots.</p>
<p>I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?</p>
<p>It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: &#8220;We have an unexpected baby boy; do you want him?&#8221; They said: &#8220;Of course.&#8221; My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.</p>
<p>And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents&#8217; savings were being spent on my college tuition. After six months, I couldn&#8217;t see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn&#8217;t interest me, and begin dropping in on the ones that looked interesting.</p>
<p>It wasn&#8217;t all romantic. I didn&#8217;t have a dorm room, so I slept on the floor in friends&#8217; rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:</p>
<p>Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn&#8217;t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can&#8217;t capture, and I found it fascinating.</p>
<p>None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it&#8217;s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.</p>
<p>Again, you can&#8217;t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.</p>
<p>My second story is about love and loss.</p>
<p>I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.</p>
<p>I really didn&#8217;t know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down &#8211; that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.</p>
<p>I didn&#8217;t see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.</p>
<p>During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, <em>Toy Story</em>, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple&#8217;s current renaissance. And Laurene and I have a wonderful family together.</p>
<p>I&#8217;m pretty sure none of this would have happened if I hadn&#8217;t been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don&#8217;t lose faith. I&#8217;m convinced that the only thing that kept me going was that I loved what I did. You&#8217;ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven&#8217;t found it yet, keep looking. Don&#8217;t settle. As with all matters of the heart, you&#8217;ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don&#8217;t settle.</p>
<p>My third story is about death.</p>
<p>When I was 17, I read a quote that went something like: &#8220;If you live each day as if it was your last, someday you&#8217;ll most certainly be right.&#8221; It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: &#8220;If today were the last day of my life, would I want to do what I am about to do today?&#8221; And whenever the answer has been &#8220;No&#8221; for too many days in a row, I know I need to change something.</p>
<p>Remembering that I&#8217;ll be dead soon is the most important tool I&#8217;ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure &#8211; these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.</p>
<p>About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn&#8217;t even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor&#8217;s code for prepare to die. It means to try to tell your kids everything you thought you&#8217;d have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.</p>
<p>I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I&#8217;m fine now.</p>
<p>This was the closest I&#8217;ve been to facing death, and I hope it&#8217;s the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:</p>
<p>No one wants to die. Even people who want to go to heaven don&#8217;t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life&#8217;s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.</p>
<p>Your time is limited, so don&#8217;t waste it living someone else&#8217;s life. Don&#8217;t be trapped by dogma — which is living with the results of other people&#8217;s thinking. Don&#8217;t let the noise of others&#8217; opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.</p>
<p>When I was young, there was an amazing publication called <em>The Whole Earth Catalog</em>, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960&#8242;s, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.</p>
<p>Stewart and his team put out several issues of <em>The Whole Earth Catalog</em>, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: &#8220;Stay Hungry. Stay Foolish.&#8221; It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.</p>
<p>Stay Hungry. Stay Foolish.</p>
<p>Thank you all very much.</p>
</div>
<p>&nbsp;</p>
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		<title>黑夜之後/天黑以后</title>
		<link>http://daskanguruh.wordpress.com/2011/01/22/%e9%bb%91%e5%a4%9c%e4%b9%8b%e5%be%8c%e5%a4%a9%e9%bb%91%e4%bb%a5%e5%90%8e/</link>
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		<pubDate>Sat, 22 Jan 2011 19:00:39 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[&#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; 很薄的一本，一周读完。头一次没有读林少华的村上大叔，感觉英文版直白的多，不知道是不是这也是为什么不明白大叔最后想表达什么。去豆瓣看，发现大家都不中意中译本的序里面关于恶的评论。善恶发乎动念间，我也觉得这本书，无关善恶，只关动念。 大叔卖书卖得就是东京某个冬夜的6小时，地铁和火车末班车和头班车之间。 记得一个朋友口中的六本木，there is magic coming to Roppongi only after dark. 黎明阳光下，魔力即刻消失，好像两个世界，夜店里的绚丽藏进外套里，在便利店买乌龙茶，在拉面店里点函馆拉面。 大叔书里也说了两个世界，但大叔的6小时不是，越夜越美丽，这么简单。 浅井爱丽(Eri)的超现实部分太抽象，不明白，而且写得也无趣。妹妹玛丽(Mari)的部分很生动，Denny&#8217;s,7-11,情人酒店都很真实。大叔还卖弄了几句很地道的中文表达。高桥的部分，我觉得很多年轻人都会有一样的困扰吧，做个不错的乐手很开心，但在音乐上却并没有超凡的天赋和造诣，看看大学成绩平平，于是最后觉得还是要努力去读书考牌成为律师，因为这就是生活。 这本书可以想得很深，也可以想得很浅。因为我浅薄，所以只能往浅里面说。除了大叔一贯关注的一个个打酱油的平凡人内心的创伤造成人格的缺失；6小时里发生的事件都是很偶然的发生，第一件，第二件&#8230;因为某个陌生人动念间某一回转，某件事于是发生，接着第二件事发生。也不是宿命，而是平常生活就是这么spontaneous，无论是程序员白川debug-打妓女-再debug，或者高桥自己也无法辩解的自己对玛丽的感情，都无预兆，但是之前的几个动念充分铺垫，所以意外地水到渠成。 所以，是不是也不要把生活想得太深，也许脑子里千回百转的种种纠结，并没什么为什么怎么办：在以前某个路人一个spontaneous的动念之间，以后的是非成败已成谶。<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=193&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p><img class="alignleft" src="http://www.exorcising-ghosts.co.uk/images/Afterdark%20-%20Spanish.jpg" alt="" width="138" height="208" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>很薄的一本，一周读完。头一次没有读林少华的村上大叔，感觉英文版直白的多，不知道是不是这也是为什么不明白大叔最后想表达什么。去豆瓣看，发现大家都不中意中译本的序里面关于恶的评论。善恶发乎动念间，我也觉得这本书，无关善恶，只关动念。</p>
<p>大叔卖书卖得就是东京某个冬夜的6小时，地铁和火车末班车和头班车之间。</p>
<p>记得一个朋友口中的六本木，there is magic coming to Roppongi only after dark. 黎明阳光下，魔力即刻消失，好像两个世界，夜店里的绚丽藏进外套里，在便利店买乌龙茶，在拉面店里点函馆拉面。</p>
<p>大叔书里也说了两个世界，但大叔的6小时不是，越夜越美丽，这么简单。</p>
<p>浅井爱丽(Eri)的超现实部分太抽象，不明白，而且写得也无趣。妹妹玛丽(Mari)的部分很生动，Denny&#8217;s,7-11,情人酒店都很真实。大叔还卖弄了几句很地道的中文表达。高桥的部分，我觉得很多年轻人都会有一样的困扰吧，做个不错的乐手很开心，但在音乐上却并没有超凡的天赋和造诣，看看大学成绩平平，于是最后觉得还是要努力去读书考牌成为律师，因为这就是生活。</p>
<p>这本书可以想得很深，也可以想得很浅。因为我浅薄，所以只能往浅里面说。除了大叔一贯关注的一个个打酱油的平凡人内心的创伤造成人格的缺失；6小时里发生的事件都是很偶然的发生，第一件，第二件&#8230;因为某个陌生人动念间某一回转，某件事于是发生，接着第二件事发生。也不是宿命，而是平常生活就是这么spontaneous，无论是程序员白川debug-打妓女-再debug，或者高桥自己也无法辩解的自己对玛丽的感情，都无预兆，但是之前的几个动念充分铺垫，所以意外地水到渠成。</p>
<p>所以，是不是也不要把生活想得太深，也许脑子里千回百转的种种纠结，并没什么为什么怎么办：在以前某个路人一个spontaneous的动念之间，以后的是非成败已成谶。</p>
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		<title>〈转〉关于《小团圆》，以及她，以及他</title>
		<link>http://daskanguruh.wordpress.com/2011/01/12/%e3%80%88%e8%bd%ac%e3%80%89%e5%85%b3%e4%ba%8e%e3%80%8a%e5%b0%8f%e5%9b%a2%e5%9c%86%e3%80%8b%ef%bc%8c%e4%bb%a5%e5%8f%8a%e5%a5%b9%ef%bc%8c%e4%bb%a5%e5%8f%8a%e4%bb%96/</link>
		<comments>http://daskanguruh.wordpress.com/2011/01/12/%e3%80%88%e8%bd%ac%e3%80%89%e5%85%b3%e4%ba%8e%e3%80%8a%e5%b0%8f%e5%9b%a2%e5%9c%86%e3%80%8b%ef%bc%8c%e4%bb%a5%e5%8f%8a%e5%a5%b9%ef%bc%8c%e4%bb%a5%e5%8f%8a%e4%bb%96/#comments</comments>
		<pubDate>Thu, 13 Jan 2011 01:44:01 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[想找马家辉的〈明暗〉来看，原来是个张迷，写得很有意思。 &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; 关于《小团圆》，以及她，以及他 马家辉 为什么印出来 宋以朗出版《小团圆》，在前言部分已经清楚说明背后理由。若容我多口阐释，化繁为简的说法就是：张爱玲那句“把《小团圆》销毁”只是写在信函内而不是遗嘱里，遗嘱说的才是“最后决定”，信函提的只是“初步意向”；宋以朗有责任执行她的遗嘱决定，但没责任落实她的信件意向。因此，不予销毁，反予出版，在法律上完全说得过去。 至于在情理上，宋以朗亦引用了另外一些材料，充分说明张爱玲其后多番改变心意，有时候向出版社编辑答应一定修订好作品内容，绝对不会辜负读者期望；有时候更动手具体写下修订笔记，或在报纸的空白边缘，或在信封的背面空间，想到就写，反映了她是对修订事宜念兹在兹的。她对一位台湾作家说过，“现在我写作是为了对自己还债”，她是极有责任感的人，不把债还清，她是不会快乐的，虽然她仿佛自28岁以后便没有快乐过。 出版《小团圆》，合法合情合理，我是这样相信的。至于台湾有女学者指责《小团圆》是“合法盗版”，我认为只不过是“洁癖”作祟，跟张爱玲晚年由早到晚怀疑身上头上有蚤子一样，只是自找的烦恼。 做出这样的决定，对任何人来说都是不容易的。苏珊·桑塔格死后，儿子把她的少女日记编辑出版，并在前言首段写了感想，颇具启发： 我向来认为，生者论及死者时常说“谁谁谁在世的话将会怎样”。顶多是猜测而已，更大多数时候都是傲慢的语气，无论其用意如何。你压根无法揣测(死者用意)。因此，不管他人怎么评价，这部作品最终成为苏珊·桑塔格三部曲的第一部，这不是她想要出版的作品……相反，无论出版还是编辑的决定都是我个人承担。即使不涉及审查问题，如此一大项工程的文学危机和道德风险都是不证自明的。请读者注意。 这就是了。台湾学者指责《小团圆》是“合法盗版”，等于预先假设而且确信张爱玲的真实愿望，即使道德情操纯良可敬，立场取态未免流于自大。教授想的事情未必都对，——连张爱玲自己亦有犹豫，后世女子岂能以“爱护”之名谴责《小团圆》之出版决定？ 印出书来，便是功德。台湾女子，应该看清此点。 如果·爱 我当然明白历史没有“如果”，不管是个人或集体，发生了就是发生了，回头做任何假设都是无聊，充其量，除了好玩，没有半分意义。 好吧，那就权且好玩吧，让我们在阅读《小团圆》的过程里加入一些“如果”，然后臆想，如果这样，事情又会怎样？ 譬如说当胡兰成逃亡温州之后又回到上海，心情难免不好，对张爱玲难免有了不太体贴的态度和有失温柔的语气，于是张小姐不高兴了，本已对他有了觉悟离异之心，此刻更是坚决。更何况，她问他一句：你跟小周小姐有没有发生关系？胡兰成竟然回答说有，并且附送一句猥琐的“大概最后都是要用强的”。 张爱玲乃不回头，义无反顾地，在流泪喊完一声“兰成”之后，离开了。 此刻如果我们插入“如果”，想象胡兰成把坏心眼使到底，压住脾气，有点EQ，搬出笑脸对待张爱玲，不仅不怪她没有留他的朋友在家进餐，反而细心地亲自下厨，“嗯，爱玲，这些日子辛苦你了，来，坐下，好好休息，今个晚儿让我侍候你”；张小姐听了，满心欢喜，多少抱怨，几分怀疑，全部烟消云散了。 又如果当张爱玲问“你跟小周小姐有没有发生关系”，脸皮本已极厚的胡兰成再把脸皮加厚两分，睁张眼睛，打死也不承认，甚至敢于以身家性命指天为誓，“没有！肯定没有！我不是这样的人！你怎可以认为我是这样的人！”；张小姐听了，心生高兴，即使明知是谎话亦愿意相信，尽管眼泪仍是会流的，但那只是感动和感谢的泪水，绝非难过。 当然，再再如果当张爱玲在温州城外迫胡兰成在她和小情人之间做出选择，胡兰成回答的是斩钉截铁的“难道我会选她吗？”而不是回避地说“好的牙齿为什么要拔掉？要选择就是不好”，张小姐亦必收货，让他一抱入怀，在菜地路旁，另有一番浪漫。 如果如果如果。如果这样这样再这样，胡兰成日后逃亡日本，张爱玲仍会思念他寻觅他，便不会留在大陆，也不会在美国遇上赖雅，那便是另一段故事。 这都只怪兰成太“老实”了。 你睡过她没有？ 《小团圆》里那句“你跟小康小姐有没有发生关系？”令我哑然失笑。唉，太不张爱玲了。怎么会是张爱玲呢？这样的诚恳但又这么天真的问题，怎么会出自张小姐的口呢？ 从认识胡兰成的第一天起，通透聪慧如张爱玲没理由不知道他是什么人和对男女关系怀抱什么。情色视野”，跟一位年轻护士紧密交往了好一阵子，怎么会没发生关系？明乎此，仍要问，便是明知故问了。 张爱玲明知故问，一来当然因为对此着紧，二来想必是企图藉此确认心底决定，不让自己有机会犹豫改变。在胡兰成点头答“有”的一刹那，张爱玲可能在心中感叹，老小子，你竟然懒得对我说谎瞒骗，那就别怪我要离开你了，这一切，责任在你不在我。 毕竟是女人；张爱玲的最后决定，毕竟与有没有“发生关系”大有关系。 记得我写过这样的小故事吗？——台湾女作家季季的前夫杨蔚，坐过牢，因他是第三国际派来的“匪谍”，与一位女同志从大陆赴台后，男的混进警察系统，女的则在基隆港旁的木屋卖淫，从军舰和港务人员口中打探情报。出狱后的杨蔚，有一天接到电话，是刚出狱的女同志找他求助，两人见面，恍如隔世，慨叹了一番理想梦碎之后，他把口袋里的钱都掏给她。 杨蔚后来把详情告诉妻子，又是感叹一番理想幻灭，幽幽地说：“我送她去搭车回基隆的时候，把钱都给她了，除了钱，我真的不知道还能给她做什么……” 季季听着，半天没讲话，终于开口，问的就是这句：“你睡过她没有？” 老来撰文忆述此事，季季仍有余恨。 大时代的悲哀故事，管你爱国卖国，在许多女人的心理天平上，最具重量的尺度终究是自己的男人“睡过她没有”。 张爱玲之于胡兰成，未能免俗。有没有发生关系，兹事体大，不是不关心你逃亡悲苦，也不是懒得理你性命安危，只不过最最最要紧的是你的生殖器的主权归属，过不了这关，其余免谈，恩尽义绝，我们game over。 也因此，读《小团圆》，我们读得心痛。 &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; 网上一个读后感，结论写得很到位 “只是这么一对精刮聪明过人的男女，为什么在那一刻白痴到让人“哑然失笑”呢，千古奇谜。 原因我猜了一个，也不知是与不是。那就是两个人都同时想Game Over了，一个懒得哄骗，一个万念俱灰，智商归零。” &#160;<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=185&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>想找马家辉的〈明暗〉来看，原来是个张迷，写得很有意思。</p>
<p><img src="http://daskanguruh.files.wordpress.com/2011/01/book2small.jpg?w=253&#038;h=320" alt="" width="253" height="320" /></p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;</p>
<p>关于《小团圆》，以及她，以及他</p>
<p><strong>马家辉</strong></p>
<p><strong>为什么印出来</strong></p>
<p>宋以朗出版《小团圆》，在前言部分已经清楚说明背后理由。若容我多口阐释，化繁为简的说法就是：张爱玲那句“把《小团圆》销毁”只是写在信函内而不是遗嘱里，遗嘱说的才是“最后决定”，信函提的只是“初步意向”；宋以朗有责任执行她的遗嘱决定，但没责任落实她的信件意向。因此，不予销毁，反予出版，在法律上完全说得过去。</p>
<p>至于在情理上，宋以朗亦引用了另外一些材料，充分说明张爱玲其后多番改变心意，有时候向出版社编辑答应一定修订好作品内容，绝对不会辜负读者期望；有时候更动手具体写下修订笔记，或在报纸的空白边缘，或在信封的背面空间，想到就写，反映了她是对修订事宜念兹在兹的。她对一位台湾作家说过，“现在我写作是为了对自己还债”，她是极有责任感的人，不把债还清，她是不会快乐的，虽然她仿佛自28岁以后便没有快乐过。</p>
<p>出版《小团圆》，合法合情合理，我是这样相信的。至于台湾有女学者指责《小团圆》是“合法盗版”，我认为只不过是“洁癖”作祟，跟张爱玲晚年由早到晚怀疑身上头上有蚤子一样，只是自找的烦恼。</p>
<p>做出这样的决定，对任何人来说都是不容易的。苏珊·桑塔格死后，儿子把她的少女日记编辑出版，并在前言首段写了感想，颇具启发：</p>
<p>我向来认为，生者论及死者时常说“谁谁谁在世的话将会怎样”。顶多是猜测而已，更大多数时候都是傲慢的语气，无论其用意如何。你压根无法揣测(死者用意)。因此，不管他人怎么评价，这部作品最终成为苏珊·桑塔格三部曲的第一部，这不是她想要出版的作品……相反，无论出版还是编辑的决定都是我个人承担。即使不涉及审查问题，如此一大项工程的文学危机和道德风险都是不证自明的。请读者注意。</p>
<p>这就是了。台湾学者指责《小团圆》是“合法盗版”，等于预先假设而且确信张爱玲的真实愿望，即使道德情操纯良可敬，立场取态未免流于自大。教授想的事情未必都对，——连张爱玲自己亦有犹豫，后世女子岂能以“爱护”之名谴责《小团圆》之出版决定？</p>
<p>印出书来，便是功德。台湾女子，应该看清此点。</p>
<p><strong>如果·爱</strong></p>
<p>我当然明白历史没有“如果”，不管是个人或集体，发生了就是发生了，回头做任何假设都是无聊，充其量，除了好玩，没有半分意义。</p>
<p>好吧，那就权且好玩吧，让我们在阅读《小团圆》的过程里加入一些“如果”，然后臆想，如果这样，事情又会怎样？</p>
<p>譬如说当胡兰成逃亡温州之后又回到上海，心情难免不好，对张爱玲难免有了不太体贴的态度和有失温柔的语气，于是张小姐不高兴了，本已对他有了觉悟离异之心，此刻更是坚决。更何况，她问他一句：你跟小周小姐有没有发生关系？胡兰成竟然回答说有，并且附送一句猥琐的“大概最后都是要用强的”。</p>
<p>张爱玲乃不回头，义无反顾地，在流泪喊完一声“兰成”之后，离开了。</p>
<p>此刻如果我们插入“如果”，想象胡兰成把坏心眼使到底，压住脾气，有点EQ，搬出笑脸对待张爱玲，不仅不怪她没有留他的朋友在家进餐，反而细心地亲自下厨，“嗯，爱玲，这些日子辛苦你了，来，坐下，好好休息，今个晚儿让我侍候你”；张小姐听了，满心欢喜，多少抱怨，几分怀疑，全部烟消云散了。</p>
<p>又如果当张爱玲问“你跟小周小姐有没有发生关系”，脸皮本已极厚的胡兰成再把脸皮加厚两分，睁张眼睛，打死也不承认，甚至敢于以身家性命指天为誓，“没有！肯定没有！我不是这样的人！你怎可以认为我是这样的人！”；张小姐听了，心生高兴，即使明知是谎话亦愿意相信，尽管眼泪仍是会流的，但那只是感动和感谢的泪水，绝非难过。</p>
<p>当然，再再如果当张爱玲在温州城外迫胡兰成在她和小情人之间做出选择，胡兰成回答的是斩钉截铁的“难道我会选她吗？”而不是回避地说“好的牙齿为什么要拔掉？要选择就是不好”，张小姐亦必收货，让他一抱入怀，在菜地路旁，另有一番浪漫。</p>
<p>如果如果如果。如果这样这样再这样，胡兰成日后逃亡日本，张爱玲仍会思念他寻觅他，便不会留在大陆，也不会在美国遇上赖雅，那便是另一段故事。</p>
<p>这都只怪兰成太“老实”了。</p>
<p><strong>你睡过她没有？</strong></p>
<p>《小团圆》里那句“你跟小康小姐有没有发生关系？”令我哑然失笑。唉，太不张爱玲了。怎么会是张爱玲呢？这样的诚恳但又这么天真的问题，怎么会出自张小姐的口呢？</p>
<p>从认识胡兰成的第一天起，通透聪慧如张爱玲没理由不知道他是什么人和对男女关系怀抱什么。情色视野”，跟一位年轻护士紧密交往了好一阵子，怎么会没发生关系？明乎此，仍要问，便是明知故问了。</p>
<p>张爱玲明知故问，一来当然因为对此着紧，二来想必是企图藉此确认心底决定，不让自己有机会犹豫改变。在胡兰成点头答“有”的一刹那，张爱玲可能在心中感叹，老小子，你竟然懒得对我说谎瞒骗，那就别怪我要离开你了，这一切，责任在你不在我。</p>
<p>毕竟是女人；张爱玲的最后决定，毕竟与有没有“发生关系”大有关系。</p>
<p>记得我写过这样的小故事吗？——台湾女作家季季的前夫杨蔚，坐过牢，因他是第三国际派来的“匪谍”，与一位女同志从大陆赴台后，男的混进警察系统，女的则在基隆港旁的木屋卖淫，从军舰和港务人员口中打探情报。出狱后的杨蔚，有一天接到电话，是刚出狱的女同志找他求助，两人见面，恍如隔世，慨叹了一番理想梦碎之后，他把口袋里的钱都掏给她。</p>
<p>杨蔚后来把详情告诉妻子，又是感叹一番理想幻灭，幽幽地说：“我送她去搭车回基隆的时候，把钱都给她了，除了钱，我真的不知道还能给她做什么……”</p>
<p>季季听着，半天没讲话，终于开口，问的就是这句：“你睡过她没有？”</p>
<p>老来撰文忆述此事，季季仍有余恨。</p>
<p>大时代的悲哀故事，管你爱国卖国，在许多女人的心理天平上，最具重量的尺度终究是自己的男人“睡过她没有”。</p>
<p>张爱玲之于胡兰成，未能免俗。有没有发生关系，兹事体大，不是不关心你逃亡悲苦，也不是懒得理你性命安危，只不过最最最要紧的是你的生殖器的主权归属，过不了这关，其余免谈，恩尽义绝，我们game over。</p>
<p>也因此，读《小团圆》，我们读得心痛。</p>
<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;</p>
<p>网上一个读后感，结论写得很到位</p>
<p><em>“只是这么一对精刮聪明过人的男女，为什么在那一刻白痴到让人“哑然失笑”呢，千古奇谜。</em></p>
<p><em><span style="font-family:'Times New Roman';"> </span></em></p>
<p><em>原因我猜了一个，也不知是与不是。那就是两个人都同时想<span style="font-family:'Times New Roman';">Game Over了</span>，一个懒得哄骗，一个万念俱灰，智商归零。”</em></p>
<p>&nbsp;</p>
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		<title>又到新年</title>
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		<pubDate>Fri, 31 Dec 2010 22:04:27 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[一个月前定了两个新年计划，一个已经提前被实现，还有一个还需努力 对待浮云，不拧把不纠结 今天看到一句话，适合拧把纠结人群，大家共勉 “想看什么就去看，想做什么就去做，想去哪里就去；凡事心有所想，必定身体力行。”&#8212;-大前研一<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=182&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>一个月前定了两个新年计划，一个已经提前被实现，还有一个还需努力</p>
<p>对待浮云，不拧把不纠结</p>
<p>今天看到一句话，适合拧把纠结人群，大家共勉</p>
<p>“想看什么就去看，想做什么就去做，想去哪里就去；凡事心有所想，必定身体力行。”&#8212;-<em>大前研一</em></p>
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		<title>《志明与春娇》观后感</title>
		<link>http://daskanguruh.wordpress.com/2010/12/25/%e3%80%8a%e5%bf%97%e6%98%8e%e4%b8%8e%e6%98%a5%e5%a8%87%e3%80%8b%e8%a7%82%e5%90%8e%e6%84%9f/</link>
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		<pubDate>Sat, 25 Dec 2010 18:40:05 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[《志明与春娇》，上映的时候就被宣传说是史上最纯情三级片，当时觉得大概又是一部千嬅姐姐和帅哥演的无聊快餐港产片。昨天看了觉得原来不该这么自以为是下结论的。有人把《月满轩尼诗》拿来比较，其实个人觉得，《月满轩尼诗》文艺调调浓了些，而且好像看别人的故事。《志明与春娇》完全就像生活里随便听说的周围朋友说的八卦故事。彭导演功利了得，15天拍完，少于1500万投资，干净利落地讲了个简单的喜剧故事，剧情轻松而深刻，台词龌龊而可爱，故事温馨让人共鸣。不得不赞导演细节拿捏精准，作为一个直男导演却有凌厉的女性视角。还有镜头大概是用手提式拍摄，摇摇晃晃，不觉得头昏，觉得很生活。电影里一天一天数，day 1, day 2&#8230;觉得处理很像&#60;500 days with Summer&#62;。影评说“不煽情不狗血”，对港产喜剧而言，是超高评价。 另：没有歌词一直一个女声在“哩哩啦啦”的配乐也有很味道。 &#160; &#160; &#160; &#160; &#160; 千嬅姐姐很多时候看起来很普通，但是某些角度很漂亮 &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; 饮用一闺密名言，以前没发现文乐帅，但是自从冠希出事以后，觉得文乐真的很帅。<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=177&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>《志明与春娇》，上映的时候就被宣传说是史上最纯情三级片，当时觉得大概又是一部千嬅姐姐和帅哥演的无聊快餐港产片。昨天看了觉得原来不该这么自以为是下结论的。有人把《月满轩尼诗》拿来比较，其实个人觉得，《月满轩尼诗》文艺调调浓了些，而且好像看别人的故事。《志明与春娇》完全就像生活里随便听说的周围朋友说的八卦故事。彭导演功利了得，15天拍完，少于1500万投资，干净利落地讲了个简单的喜剧故事，剧情轻松而深刻，台词龌龊而可爱，故事温馨让人共鸣。不得不赞导演细节拿捏精准，作为一个直男导演却有凌厉的女性视角。还有镜头大概是用手提式拍摄，摇摇晃晃，不觉得头昏，觉得很生活。电影里一天一天数，day 1, day 2&#8230;觉得处理很像&lt;500 days with Summer&gt;。影评说“不煽情不狗血”，对港产喜剧而言，是超高评价。</p>
<p>另：没有歌词一直一个女声在“哩哩啦啦”的配乐也有很味道。</p>
<p><img class="alignleft" src="http://img3.douban.com/view/photo/photo/public/p625883255.jpg" alt="" width="400" height="150" /></p>
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<p>千嬅姐姐很多时候看起来很普通，但是某些角度很漂亮</p>
<p><img class="alignleft" src="http://img3.douban.com/view/photo/photo/public/p562322080.jpg" alt="" width="400" height="170" /></p>
<p><img class="alignleft" src="http://img3.douban.com/view/photo/photo/public/p509329585.jpg" alt="" width="400" height="233" /></p>
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<p>饮用一闺密名言，以前没发现文乐帅，但是自从冠希出事以后，觉得文乐真的很帅。</p>
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		<title>[zz]管理顾问值不值？</title>
		<link>http://daskanguruh.wordpress.com/2010/12/04/zz%e7%ae%a1%e7%90%86%e9%a1%be%e9%97%ae%e5%80%bc%e4%b8%8d%e5%80%bc%ef%bc%9f/</link>
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		<pubDate>Sat, 04 Dec 2010 22:39:07 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[2010年11月24日 07:21 AM 管理顾问值不值？ 作者：英国《金融时报》专栏作家 蒂姆•哈福德 就是否物有所值而言，管理顾问的口碑一直算不上出色——尽管说实话，投资银行家们的臭名早已让他们相形见绌——因此，今年早些时候，当我听到有传言称，在一项有趣的研究中，一家咨询公司含蓄地同意接受对其咨询建议的随机测试，不由得印象深刻。 坦率地说，这是个胆识过人的决定。会同意让自己的产品接受随机测试的，几乎只有医药企业，而且我相当确定，他们对这种经历没有多少热情。 或许埃森哲(Accenture)——它就是那家公司——没有意识到给自己惹了多大的麻烦。毕竟，从表面看来，由世界银行(World Bank)、加州大学伯克莱分校(Berkeley)以及斯坦福大学(Stanford)的一群经济学家共同开展的这项研究，主题是现代管理技巧能否提高印度大型纺织企业的生产力。（研究报告作者之一、斯坦福大学的尼克•布卢姆(Nick Bloom)的个人网站上刊登了研究报告草稿。）但你如何才能提高管理技巧呢？当然是聘请一家管理咨询公司。 研究者聘用埃森哲为孟买的14家工厂提供管理咨询服务，它们是从20家工厂中随机选取的。另6家工厂作为参照组，能够获得分析性绩效审计，但没有什么正经的建议。世界银行和斯坦福大学以高折扣价格支付埃森哲的咨询费用；工厂主不用支付任何费用。 不可否认，结果给人留下了深刻印象。几个月的咨询建议产生的效应是：工厂利润增长了近五分之一，一年多达数十万美元。（最新研究草稿提供的数据是23万美元；稍早的计算结果更高。）产出有所增长，库存收紧，且残次率下降了一半。 埃森哲为这5个月的咨询服务收取的费用，以市价计算基本上与利润增幅相当——因此到年底，这种安排创造的收益正好支付其费用。如果这些咨询建议能够被继续采用，这将是一项出色的投资。种种迹象表明，这些建议不只是会被继续采用：新的流程产生了有关有效管理的新信息和新想法，并形成了不断改善的良性循环。 但在所有企业都争着去聘用一家管理咨询公司之前，有两点需要注意。首先，由于试验设计的初衷是为了评估管理技巧而非咨询顾问，收集绩效数据的任务是由埃森哲自己完成的。（不过数据需要接受一些独立核查，而且没有证据表明出了任何差错。） 更重要的第二点告诫是，印度纺织企业有着自己独特的问题：工具和机器堆得到处都是，库存控制常常缺位。如果工人需要找某个特定物品，办法就是在货仓里乱翻，直到找出有用的东西为止。在孟买经济的这个特定领域，现代存货管理技巧发挥了极大的作用，但这并不意味着沃达丰(Vodafone)、巴克莱(Barclays)或政府部门也能从聘请顾问中获得同等的收益。 尼克•布卢姆及其同事还研究了世界各地的管理实践，巴西、中国和印度的水平都很低。可想而知，一旦咨询顾问进驻，这些新兴巨人会作何表现。 至于在伦敦或纽约聘用管理咨询顾问是否值得——我也不知道答案。但我认识几个经济学家，他们会非常乐于指导一次随机试验。 Source: http://www.ftchinese.com/story/001035692<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=169&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ftchinese.com/archiver/2010-11-24">2010年11月24日 07:21 AM</a></p>
<h1 id="topictitle">管理顾问值不值？</h1>
<div>作者：英国《金融时报》专栏作家 <a href="http://www.ftchinese.com/search/%E8%92%82%E5%A7%86%E2%80%A2%E5%93%88%E7%A6%8F%E5%BE%B7/relative_byline" target="_blank">蒂姆•哈福德</a></div>
<div></div>
<div id="bodytext">
<p>就是否物有所值而言，管理顾问的口碑一直算不上出色——尽管说实话，投资银行家们的臭名早已让他们相形见绌——因此，今年早些时候，当我听到有传言称，在一项有趣的研究中，一家咨询公司含蓄地同意接受对其咨询建议的随机测试，不由得印象深刻。</p>
<p>坦率地说，这是个胆识过人的决定。会同意让自己的产品接受随机测试的，几乎只有医药企业，而且我相当确定，他们对这种经历没有多少热情。</p>
<p>或许埃森哲(Accenture)——它就是那家公司——没有意识到给自己惹了多大的麻烦。毕竟，从表面看来，由世界银行(World Bank)、加州大学伯克莱分校(Berkeley)以及斯坦福大学(Stanford)的一群经济学家共同开展的这项研究，主题是现代管理技巧能否提高印度大型纺织企业的生产力。（研究报告作者之一、斯坦福大学的尼克•布卢姆(Nick Bloom)的个人网站上刊登了研究报告草稿。）但你如何才能提高管理技巧呢？当然是聘请一家管理咨询公司。</p>
<p>研究者聘用埃森哲为孟买的14家工厂提供管理咨询服务，它们是从20家工厂中随机选取的。另6家工厂作为参照组，能够获得分析性绩效审计，但没有什么正经的建议。世界银行和斯坦福大学以高折扣价格支付埃森哲的咨询费用；工厂主不用支付任何费用。</p>
<p>不可否认，结果给人留下了深刻印象。几个月的咨询建议产生的效应是：工厂利润增长了近五分之一，一年多达数十万美元。（最新研究草稿提供的数据是23万美元；稍早的计算结果更高。）产出有所增长，库存收紧，且残次率下降了一半。</p>
<p>埃森哲为这5个月的咨询服务收取的费用，以市价计算基本上与利润增幅相当——因此到年底，这种安排创造的收益正好支付其费用。如果这些咨询建议能够被继续采用，这将是一项出色的投资。种种迹象表明，这些建议不只是会被继续采用：新的流程产生了有关有效管理的新信息和新想法，并形成了不断改善的良性循环。</p>
<p>但在所有企业都争着去聘用一家管理咨询公司之前，有两点需要注意。首先，由于试验设计的初衷是为了评估管理技巧而非咨询顾问，收集绩效数据的任务是由埃森哲自己完成的。（不过数据需要接受一些独立核查，而且没有证据表明出了任何差错。）</p>
<p>更重要的第二点告诫是，印度纺织企业有着自己独特的问题：工具和机器堆得到处都是，库存控制常常缺位。如果工人需要找某个特定物品，办法就是在货仓里乱翻，直到找出有用的东西为止。在孟买经济的这个特定领域，现代存货管理技巧发挥了极大的作用，但这并不意味着沃达丰(Vodafone)、巴克莱(Barclays)或政府部门也能从聘请顾问中获得同等的收益。</p>
<p>尼克•布卢姆及其同事还研究了世界各地的管理实践，巴西、中国和印度的水平都很低。可想而知，一旦咨询顾问进驻，这些新兴巨人会作何表现。</p>
<p>至于在伦敦或纽约聘用管理咨询顾问是否值得——我也不知道答案。但我认识几个经济学家，他们会非常乐于指导一次随机试验。</p>
<p>Source: <a href="http://www.ftchinese.com/story/001035692">http://www.ftchinese.com/story/001035692</a></p>
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		<title>转来笑话一则</title>
		<link>http://daskanguruh.wordpress.com/2010/11/23/%e8%bd%ac%e6%9d%a5%e7%ac%91%e8%af%9d%e4%b8%80%e5%88%99/</link>
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		<pubDate>Tue, 23 Nov 2010 06:33:53 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[苏丝黄写的 （ http://www.mindmeters.com/blogind.asp?id=253） &#8220;有时候，无意识的引诱却能够意外地成功。比如苏丝在一个叫《一只长牙舞爪的虫子》博客上看到的故事：某外国女人跟中国女朋友说：我发现中国男人直接得可怕！ 虫子问她怎么了。 答：我今天第一次跟一个中国男人约会，他就夸我屁股漂亮。 很久以后，虫子见到了这一对儿，已成为正式的男女朋友。虫子打趣那中国男人，你可真够牛的啊，第一次约会就夸人家屁股漂亮。 男人很老实地说，哪里！都怪我发音不标准！我明明想说的是you have beautiful eyes！结果她听成了you have a beautiful ass！ 看来，不管引诱水平高低，夸人总是没错的，总会让人高兴。万一不小心夸错了，说不定还能喜出望外。&#8221; &#160; &#160;<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=165&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>苏丝黄写的 （ <a href="http://www.mindmeters.com/blogind.asp?id=253">http://www.mindmeters.com/blogind.asp?id=253</a>）</p>
<blockquote><p>&#8220;有时候，无意识的引诱却能够意外地成功。比如苏丝在一个叫《一只长牙舞爪的虫子》博客上看到的故事：某外国女人跟中国女朋友说：我发现中国男人直接得可怕！</p>
<p>虫子问她怎么了。</p>
<p>答：我今天第一次跟一个中国男人约会，他就夸我屁股漂亮。</p>
<p>很久以后，虫子见到了这一对儿，已成为正式的男女朋友。虫子打趣那中国男人，你可真够牛的啊，第一次约会就夸人家屁股漂亮。</p>
<p>男人很老实地说，哪里！都怪我发音不标准！我明明想说的是you have beautiful eyes！结果她听成了you have a beautiful ass！</p>
<p>看来，不管引诱水平高低，夸人总是没错的，总会让人高兴。万一不小心夸错了，说不定还能喜出望外。&#8221;</p></blockquote>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Do Good Anyway</title>
		<link>http://daskanguruh.wordpress.com/2010/11/06/do-good-anyway/</link>
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		<pubDate>Sun, 07 Nov 2010 01:23:06 +0000</pubDate>
		<dc:creator>daskanguruh</dc:creator>
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		<description><![CDATA[人们经常是不讲道理的、没有逻辑的和以自我为中心的 不管怎样，你要原谅他们 People are often unreasonable, illogical and self-centered; Forgive them anyway. 即使你是友善的，人们可能还是会说你自私和动机不良 不管怎样，你还是要友善 If you are kind, people may accuse you of selfish, ulterior motives; Be kind anyway. 当你功成名就，你会有一些虚假的朋友 和一些真实的敌人 不管怎样，你还是要取得成功 If you are successful, you will win some false friends And some true enemies; Succeed anyway. 即使你是诚实的和率直的，人们可能还是会欺骗你 不管怎样，你还是要诚实和率直 If you are honest and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=daskanguruh.wordpress.com&amp;blog=16699257&amp;post=162&amp;subd=daskanguruh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<div>人们经常是不讲道理的、没有逻辑的和以自我为中心的<br />
不管怎样，你要原谅他们<br />
People are often unreasonable, illogical and self-centered;<br />
Forgive them anyway.</div>
<div>即使你是友善的，人们可能还是会说你自私和动机不良<br />
不管怎样，你还是要友善<br />
If you are kind, people may accuse you of selfish, ulterior motives;<br />
Be kind anyway.</div>
<div>当你功成名就，你会有一些虚假的朋友<br />
和一些真实的敌人<br />
不管怎样，你还是要取得成功<br />
If you are successful, you will win some false friends<br />
And some true enemies;<br />
Succeed anyway.</div>
<div>即使你是诚实的和率直的，人们可能还是会欺骗你<br />
不管怎样，你还是要诚实和率直<br />
If you are honest and frank, people may cheat you;<br />
Be honest and frank anyway.</div>
<div>你多年来营造的东西<br />
有人在一夜之间把它摧毁<br />
不管怎样，你还是要去营造<br />
What you spend years building,<br />
Someone could destroy overnight;<br />
Build anyway.</div>
<div>如果你找到了平静和幸福，他们可能会嫉妒你<br />
不管怎样，你还是要快乐<br />
If you find serenity and happiness, they may be jealous;<br />
Be happy anyway.</div>
<div>你今天做的善事，人们往往明天就会忘记<br />
不管怎样，你还是要做善事<br />
The good you do today, people will often forget tomorrow;<br />
Be good anyway.</div>
<div>即使把你最好的东西给了这个世界<br />
也许这些东西永远都不够<br />
不管怎样，把你最好的东西给这个世界<br />
Give the world the best you have,<br />
And it may never be enough;<br />
Give the world the best you have anyway.</div>
<div>你看，说到底，它是你和上帝之间的事<br />
而决不是你和他人之间的事<br />
You see, in the final analysis, it is between you and God;<br />
It is never between you and them anyway.</div>
<div>
<em>德兰修女<br />
From Mother Theresa</em></div>
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